Like neuroscience, where errors in wiring, distorted inputs, reveal hidden structures of vast consequence, media hacks reveal error messages penetrating human activity (like stock markets) where perception is ruled by input. Here is the CFTC's panel about the hack/drop on CSPAN.
Miss Peregrine's Home for Peculiar Children author Ransom went to Room 237 one weekend and he dug a little further (to this website) and underscores our research into the future of film language: Physical Cosmologies of the Blockbuster...
Both The Last of Us and Bioshock: Infinite are titled via absolutes ('Last' and 'Infinite') yet of course it's collective hyperbole. These ultra expensive games arrive this year with amplified cinematic styling, advanced AI and limited online architecture. Gaming, like film, can't yet perfect the megahit so corners will be cut even as budgets approach $100 million. Both approaching games are synched through their lead archetypes, a hardboiled 30s-40s male paired against a much younger female.
Can FPS gaming escape from this era's simplified idea of archetypes?
The greatest animated film of all time is this improbable masterpiece both drawn as manga and directed by Miyazaki. The 'children's version' of the much headier Princess Mononoke, Nausicaa centers around its titular Princess. Visual scales of warring ecosysytems are populated by microscopic humans who battle for extinction. The economy of storytelling is masterful as characters appear with implied backstory and warring groups enter the plot only as they penetrate the current conflict (a far cry from American storytelling where all groups are introduced early in narratives fearing audience confusion). Although ecology is a prevelant theme for Miyazaki, here the conflict's structure is sublimely rendered by extravagant biology using few metaphysical or supernatural devices or motifs. Because threat levels of its transforming ecology are so palpable (they're rendered through processes like emergency cleansings - villagers burn spores from an infected crashed vessel), the film turns the audience into participants of the biome. A miracle in celluloid. Now showing in 35MM through December 20 at NY's IFC Center. Staggered dates and times. Not just a must see, a must see again and again. Voices of Alison Lohman, Patrick Stewart, Uma Thurman and Mark Hamill.
The Wachowskis lift Matrix Revolutions's ending wholesale from Nausicaa.