Robert Florey was denied the right to direct Frankenstein and was handed the Poe story. His film pushed the envelope in numerous ways. 21 minutes of pre-code violence remain excised from the existing 60 minute film. Showing at the Loews Jersey City, Saturday October 27. Showing with Tod Browning's Dracula.
|Louis was a king, and our republic is established; the critical question concerning you must be decided by these words alone. Louis was dethroned by his crimes; Louis denounced the French people as rebels; he appealed to chains, to the armies of tyrants who are his brothers; the victory of the people established that Louis alone was a rebel; Louis cannot therefore be judged; he already is judged. He is condemned, or the republic cannot be absolved. To propose to have a trial of Louis XVI, in whatever manner one may, is to retrogress to royal despotism and constitutionality; it is a counter-revolutionary idea because it places the revolution itself in litigation. In effect, if Louis may still be given a trial, he may be absolved, and innocent. What am I to say? He is presumed to be so until he is judged. But if Louis is absolved, if he may be presumed innocent, what becomes of the revolution? If Louis is innocent, all the defenders of liberty become slanderers. Our enemies have been friends of the people and of truth and defenders of innocence oppressed; all the declarations of foreign courts are nothing more than the legitimate claims against an illegal faction. Even the detention that Louis has endured is, then, an unjust vexation; the fédérés, the people of Paris, all the patriots of the French Empire are guilty; and this great trial in the court of nature judging between crime and virtue, liberty and tyranny, is at last decided in favor of crime and tyranny. Citizens, take warning; you are being fooled by false notions; you confuse positive, civil rights with the principles of the rights of mankind; you confuse the relationships of citizens amongst themselves with the connections between nations and an enemy that conspires against it; you confuse the situation of a people in revolution with that of a people whose government is affirmed; you confuse a nation that punishes a public functionary to conserve its form of government, and one that destroys the government itself. We are falling back upon ideas familiar to us, in an extraordinary case that depends upon principles we have never yet applied.|
Nor will it evolve with the times.
Little known fact: Children's graffiti began the Syrian Civil War. A group of boys imitated the sights of defiant Tunisians and Egyptians on their TVs and tagged their school with anti-Assad slogans. Quickly they were rounded up and tortured. The uprisings began as protests to children's torture. Le Monde Diplomatique writes about the secret wars. http://mondediplo.com/2012/09/02syria Frontline takes you on an hour through the basics of the Syrian nightmare - first a razor sharp front-line battle story, then the narrative. http://www.pbs.org/wgbh/pages/frontline/battle-for-syria/
Biggest hit of the Browning-Chaney pairings. Burned alive in a 1967 vault fire. So alluring it's been reconstructed from production stills.
Jack (and Suzy) write a little op-ed piece in the WSJ admitting they're addicted to corporations for pleasure. For breathing, for eating. Read between the lines and start to realize, the new age of the CEO has turned transhumanist to a wide degree. Dangerous times ahead if this becomes our latest sociobiological path
Here's a quote from their dimension of the galaxy, the intro fools us by agreeing with detractors, a simplistic argumentative employed best by demagogues:
Here's a new party trick. Want to be accused of being a member of a satanic cult? Like to be called the kind of person who would steal candy from a child, or harm a puppy and start a forest fire—all in the same day? Do you want to be described as evil, heartless and stupid?
Then just do this: Offhandedly mention in public that you agree with Mitt Romney—and that, yeah, you think corporations are people.
Oh, how that notion sets some people right off their rockers! Take, for instance, the scene last month when senatorial candidate Elizabeth Warren introduced President Obama at a big fundraiser in Boston:
Master mathmetician Roger Penrose intersects math, physics, neuroscience and cosmology to attempt to answer "the big question." While he gets as close as anyone could have in 1990, he fails tantalizingly to convince readers that outerspace and the brain's innerspace are integrally related. Like a fundamentalist he begins with Turing and using that as a model for the human brain's A.I., he ventures from algorithm to particle theory to cosmology to neuroscience. His detractors (like Edelman) make mincemeat out of his simplistic computational aspects of the brain, but Penrose is going for the biggest picture possible: space/geologic-time. Like Tipler-Barrow's Anthropic Comsological Principle, which he cites repeatedly, Penrose has built a key foundation for time-travel in multiple dimensions.
Top: The big-bang eventually splinters into black hole singularity Bottom: Particle-wave theory. Two slits reveal how photons (light) behave like particles AND waves.
The masterpiece of analog cinema, Stanley Kubrick's 2001, simulated all levels of digital through unadulterated waveforms. HAL 9000, circuitry board repairs, guidance simulations, even picture-phone calls, all are imagined digital elements rendered through analog craft. A voice tempered Douglas Rain imitates a digital computer while thousands of hours on animation stands give screens the appearance of digital computation. Its insurmountable visual effects simulating space-travel were also rendered through time-consuming animation stand compositing. Original camera negative was sometimes stored for months as mattes were designed in multiple passes scheduled weeks apart. Never before or since have analog techniques been tweaked to such extremes. Now 2001 has made the crossover into a digital medium for large-scale projection. Museum of the Moving Image is screening the new DCP version of 2001 as part of its new See It Big! series (also making its DCP premiere Apocalypse Now Redux).
The Guardian on Televisa's role in electing the favorited P.R.I. candidate in the upcoming national election. Their exclusive:
Televisa refused to meet the Guardian to discuss the allegations. It first ignored requests for comment, then proposed a meeting with legal counsel present. When the Guardian submitted a list of eight questions with a small sample document attached, a spokesman cancelled the meeting, saying the documents had not been not been submitted in a "timely" fashion.